The Spar Apparatus
he Hunley's torpedo system is one of the submarine's most
important features and one of the least understood. Details of the rig
slowly emerged as the components of the Hunley were cleaned and revealed. (The most recent material is at the end of this pop-up.) |
The
original Hunley concept was to tow the torpedo on a long line, dive under the
target ship and draw the charge against the target's hull. This
approach was abandoned when the torpedo drifted "too near the wrong
boat" as Alexander recounted, perhaps euphemistically, in 1902. In the same memoir he describes the new approach this way:
"We then rigged a yellow pine boom, 22 feet long and tapering; this was
attached to the bow, banded and guyed in each side. A socket on the torpedo
secured it to the boom." In 1925, Corporal Daniel McClaurin provided a slightly
different description: "As I recall, the torpedo was fastened to the end of an iron pipe, about two
inches in diameter and twenty to twenty-five feet in length, which could be
extended in front and withdrawn at ease by guides in the center of the boat to
hold it in place." The apparent discrepancy between the two
descriptions is partly alleviated when Alexander's drawing, published with
his memoir, is examined. It notes the "butt end of torpedo
boom" attached to the top of the bow, drawn with a stylized wood grain,
and a smaller, un-referenced object attached to the bottom of the bow and
angled up (see image #53544 on or linked from the Submarine H.L. Hunley
images page). The many years passing between the 1864 events and
these reminiscences makes some details suspect, but I believe the basic
descriptions can be trusted. |
Historical Images The Conrad Chapman painting and the purported George Cook photograph both show the lower metal spar and the top-mounted boom but support different interpretations. For background to help understanding the images, the 17-foot-long metal spar recovered with the Hunley consists of a three-foot long solid section attached by a bolt to a long hollow section. The short section ends in a fitting that was bolted to a bracket at the bottom of the bow as depicted below. The arrangement allowed the spar to pivot up and down at the bracket. |
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Chapman's painting shows the metal spar, although only the short segment closest to the hull, sloping down to rest on the quay. The upper boom is much more notable, as you can see in the graphic at right. It appears to be 3 to 4 inches in diameter and perhaps 14 feet long. The rather complex mechanism that appears to attach it to the hull could be part of a rigging system. |
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The poor-quality (qnd discredited) Cook "photo" has a similar perspective but differs in detail from the painting. Both the lower spar and upper boom are visible, but the boom appears to be mounted athwart-ships rather than fore and aft as in Chapman. I may provide a more detailed analysis of the alleged photo in the future. |
Chapman's starboard-side drawing implies he actually visited the Hunley on the quay depicted in his painting, which he completed some years later. The drawing shows the lower spar but not the boom. Obvious differences in the configuration of the boat shown in the drawing and in the painting indicate a passage of time between the two scenes. |
The 1902 Skerrett drawing, included here for completeness, provides yet a
different cast. The upper boom appears to agree with Chapman, although
the mounting mechanism appears much less complex. The lower spar, if
depicted, appears to be detached, but there is a line running to it from the upper
hull.
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The relationship among the several depictions of the
Hunley briefly discussed above is not known. Chapman's painting, the
purported Cook photo, and Skerrett's drawing clearly show the same
scene. Each includes what appears to be the same sailboat in the background. Each has a
figure standing by the rudder. Obvious questions
arise. Did Skerrett copy Chapman, or Cook? Did Chapman use Cook
as a model or guide for his painting? Is Cook an actual photo of the Hunley? Is it a copy of an early or lost version
of the Chapman painting? I hope to present a more complete evaluation
of the Cook photo someday. |
Archaeological
Evidence |
The long rod at the top, 6, raised with the spar, was less concreted and appeared at the time to be more recent. The Friends have said nothing more about it. |
Heavy raised concretion in
several places on the bow,
seen in released photos of the Hunley, may
indicate parts of the rigging system. Two longer markings could be the
straps shown in a similar location in the Chapman painting. The Clemson fade-wrap animation gives tantalizing indications of bumps in the concretion approximately consistent with tie-down points for rigging lines to stabilize the spar. I've only done preliminary analysis, but I've assumed such tie-downs for the animated line drawing and for my Hunley poster. (Photographs of the hull after it was cleaned of concretion show no sign of these bumps, raising doubts in my mind of a system of stays.) There are two bits of published information that likely pertain to the torpedo lanyard spool shown in the Chapman painting. The 2006 DENIX report "Conservation of the H.L. Hunley and its Associated Artifacts" mentions a small crank and stuff box removed from hull panel CT3. The Summer 2009 Blue Light (#32) includes a wire frame 3D rendering of that plate, for the first time showing the location of this mechanism. (A photograph of this plate published on the Low Country Digital Library, linked from my main Hunley page, clearly shows this crank.) This location, actually high on the hull between the snorkel pipes, is consistent with Chapman's depiction. My Hunley plan includes a spool in this position beginning with version U. In January 2013, the Friends announced new findings about the spar and torpedo system and published a number of photographs of the cleaned and conserved spar. The most important conclusion was that the torpedo was probably still attached to the spar when it was detonated; the submarine apparently did not back off before the explosion. Previously, some relatively thin material seen in x-rays on the end of the spar was thought to be lead foil wrapped around the torpedo attachment joint to hold it together. The soft lead would have easily torn through as the Hunley backed away. Conservation revealed this was actually copper and probably part of the torpedo casing. Examination of the photographs reveals more evidence that the spar was attached. |
As illustrated in the figure at right, the torpedo attachment bolt
remains fixed to the spar end and the copper sheathing is torn (on both
sides of the spar) as if it had been pushed back around the bolt shank.
This could have happened when the torpedo was rammed into the side of
the The announcement indicated that a drawing of “Singer’s Torpedo used for blowing up the Housatonic” in the national Archives, which shows a hard mount to the spar set at an approximately 22° angle, may be an accurate depiction of the Hunley configuration. |
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The torpedo configuration shown, with no spike and with the detonators at the
impact point, indicates the intent was explosion on impact. Confederate
Davids had problems with torpedoes not detonating. This might explain
the multiple detonators shown in the original drawing, and hints that the
manual line back to the Hunley may have been intended as a final level
of redundancy to assure detonation. Alternatively, the spool and
attached crank may have been used to ship the torpedo, although the crank
handle seems small for this purpose.
Over the years, new information has trickled out, most notably with the publication of H. L. Hunley: Recovery Operations. I look forward to a similarly detailed report covering the excavation and conservation of the submarine. (The Hunley Forum, previously linked here, unfortunately disappeared when Yahoo deleted all Yahoo Group archives.) |
(Please let me know if I've missed any significant historical sources above.) |
What do you think? |
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1 Aug 20